Review: Grimm Tales Of Terror #11
The Body Thief from Zenescope Entertainment.
This week, a new one-shot horror story from Zenescope Entertainment, with Grimm Tales Of Terror #11.
A man, aching to escape the confines of his own life, stumbles into an occult bookstore seeking a way out. Instead of a path to freedom, what he uncovers—and unwittingly releases—is something that threatens to bind him more tightly than ever before.
Writer: Chas! Pangburn, Artwork: Allan Otero, Colors: Juan Manuel Rodriguez, Letters: Taylor Esposito (Of Ghost Glyph Studios), Editor: David Wohl, and Production & Design: Christopher Cote
This issue was an interesting and refreshing change from the usual Grimm Tales of Terror formula. Right from the start, the appearance of Keres isn’t just a bookend or a narrator’s cameo this time—she’s woven directly into the story's fabric. The personification of Death takes on a more active role, serving as both an ominous presence and a cautionary force for a man desperate to alter his fate through occult means. It’s a great twist that deepens her role and makes her more than a framing device.
As the story unfolds, the stakes continue to rise, and a creeping sense of inevitability builds tension beautifully. It reminded me a lot of Jamie Delano’s early Hellblazer run—particularly the tone and pacing, where the supernatural and moral corruption blend seamlessly. That said, this story stands on its own with some distinct differences. There’s a clear thread of hubris running through it, an arrogant overreach that leads to multiple deaths and, ultimately, a darkly satisfying comeuppance for those involved.
The structure of the issue is also worth noting. The build is clever and deliberate, and a mid-story switch completely changes our understanding of what’s happening. It’s a smart move that plays against expectations—especially for readers familiar with the more traditional setups this anthology tends to use.
Visually, the artwork strikes a strong balance between the ordinary and the otherworldly. The contrast between the mundane settings and the bursts of mystical and demonic imagery really elevates the tension. I especially liked how the artist captured the expressions and reactions when everything unravelled—it adds a real sense of dread and emotion to the chaos.
Overall, this is another great one-shot from Zenescope. It delivers everything you’d want from a Grimm Tales of Terror story—a moral edge, supernatural horror, and poetic justice—but it does so in a fresh and surprising way. A strong entry that stands out in the series.
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